Brain Help for Struggling Writers

How to Use Brain Science to Go Beyond Outlining and Write a Riveting Novel (Before You Waste Three Years Writing 327 Pages That Go Nowhere)

What could be more appealing?

Truthfully, I’ve spent five years working on my novel with several years break, so I felt I was a prime candidate to read this book.  Reading through the book caused me to make significant changes in my drafts, and it is progressing. I would love to be a student in her class. Probably, she has met others who write as I do.

struggling writers

Has Lisa Read My Novel?

According to Lisa, I write by the seat of my pants, and she does not support that method of writing.

“And when you pants, there is no past. (uh oh) Without the past to provide context, that rose is just a plain old pretty flower, and who cares about that?”

So after reading Wired for Story, I went back and rearranged and rewrote my novel. What do you think? Is Lisa proud of me?

Turns Out My Brain’s Not Working

“The very fact that you can move things around is a telltale sign that the novel has no internal logic.” (Uh oh! ouch, ouch, ouch!)

So the plotters have it right. Right?

Next, I spent hours (days if you add up all the hours) plotting the book from beginning to end.

Wrong again.

“Plotters have it backward: the events in the plot must be created to force the protagonist to make a specific really hard internal change. And that means you need to know, specifically, what that internal change will be before you begin creating a plot.” Time to quit?

What About Polishing Your Style?

Not yet, there’s polishing it up. Get out your Grammarly and other editing programs. Take out all the times you used passive tense and “just” and “really.”

Maybe the award-winning novels go to those who can write beautiful prose and moving descriptions. I’d like to be able to do that, wouldn’t you? So I practiced writing narrative descriptions.

“Rather than inviting us in, the beautiful language is more like a waterproof sealant, locking us on the surface where all we can do is admire the words, rather than absorb the story that they’re meant to tell.”

Crud, I’m in real trouble here. How about you?

Who Reviews Books Anyway?

I do and my rating for this book is five stars. Even if I write no better after reading it, I enjoyed reading Story Genius.  However, I’m hoping that the book turns me into a story writing genius.

Lisa Cron tells us that we all recognize a good story. We are wired to do so. So, realistically anyone is qualified to discuss books. Do you review books? Feel free to share a recent or favorite review in the comment section.

Story Genius analyzes how to move from an expert reader to superb writer, which is not intuitive. If you’ve tried to write, you can attest to that fact.

Not surprisingly, some reviewers didn’t love the book as much as I have. Some of them even think she is insulting to her readers who just don’t get it when she hammers down her points. Unfortunately, I am one of those dunce students who needs all the extra help I can get.

Do you ever wonder if reviewers have ever tried to write or edit a book? I checked. Some of them have. So have I, but I’ve concluded that I’m not as critical of a reviewer as maybe I should be.  So if you want a review that reflects a biting critical analysis, check out these reviews on Goodreads.

What Other Reviewers Say About Story Genius by Lisa Cron

“I feel very mixed about this book. I teach creative writing, and I’ve tried to make a study of “what works” in popular stories. Liza Cron both hits and misses in this book.” Rebecca Rener, a writer, and editor.

“This book contains virtually no “brain science.” In fact, most of the citations and references in the back of the book cite direct quotes by other authors [often about writing], to the best of my count, I can only find five cited mentions of ‘brain science’.” Amy, who does not disclose herself.

“I was expecting more depth and substance involving interesting facts and tips on writing plot, pacing, character development, etc. in relation to science. ” Kelly Danahy a recent college grad who likes to write and read.

Some Favorite Quotes from Story Genius

“…most self-published books sell fewer than 150 copies.” Yikes! Hope you have done better than that if you have self-published. I haven’t tried it yet.

“Story is about how the things that happen in the plot affect the protagonist, and how he or she changes internally as a result.” (Underlined it a million times!)

“Anything that doesn’t impact the protagonist’s internal struggle, regardless of how beautifully written or “objectively” dramatic it is, will stop the story cold, breaking the spell that captivated readers, and unceremoniously catapulting them back into their own lives.”

Even Lisa Cron had a critical word to say about the author of one of my favorite writing books. “Whether we’re talking about your blueprint or the entire first draft of your novel, she (Anne Lamott) couldn’t be more wrong—someone is going to see it, and that someone is the most important person of all: you.”

“A broken pattern forces you to reconsider something that, up to that moment, you tacitly assumed you could count on. That’s how the brain rolls.”

Contents of Story Genius in Three Parts

1 What a Story Is and What It Isn’t (two chapters)

2 Creating the Inside Story (six chapters)

3 Creating an External Gauntlet to Spur Your Protagonist’s Internal Struggle

About the Author

struggling writers

“Lisa Cron wrote Wired for Story and Story Genius. In addition to writing her literary jobs give her a wealth of well-rounded experience.

Her list of accomplishments in writing includes a TEDx talk, Wired for Story. She has worked in publishing at W.W. Norton and John Muir Publications. Also, the Angela Rinaldi Literary Agency employed her as an agent. She worked as a producer on shows for Showtime and Court TV. Warner Brothers and the William Morris Agency used her as a story consultant. Since 2006, she’s been an instructor in the UCLA Extension Writers’ Program. She teaches at the School of Visual Arts MFA program in Visual Narrative in New York City. Finally, together with Author Accelerator CEO Jennie Nash, she runs the online Story Genius Workshop.

Lisa speaks at writing workshops, universities, and schools. She helps authors master the innate power of story.

She can be reached at Follow her on Twitter @lisacron”

Now What?

I hope this review helps you make a choice about what self-help book you read next about writing. Whether it does or doesn’t, I’d love to hear from you.  Like you, I write to make connections with people. Come say hi. 🙂 Post a link to one of your reviews.

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